Caroline Harrius

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<channel>
	<title>Caroline Harrius</title>
	<link>https://carolineharrius.com</link>
	<description>Caroline Harrius</description>
	<pubDate>Mon, 06 Jan 2025 16:02:52 +0000</pubDate>
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	<item>
		<title>BLUE MEMORIES</title>
				
		<link>https://carolineharrius.com/BLUE-MEMORIES</link>

		<pubDate>Mon, 06 Jan 2025 16:02:52 +0000</pubDate>

		<dc:creator>Caroline Harrius</dc:creator>

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		<description>
	BLUE MEMORIES
2025


The exhibition Blue Memories is the result of a
3-month residency in Porsgrunn, Norway. In 2024, I had the luxury of being able
to spend a period as a the Porcelain Grant holder in Porsgrund's Porcelain
Factory, completely without restrictions. While trying to renew the craft, I
also wanted to test the material's limits of what is possible to do in a non plastic
industrial porcelain clay, and see how large and fragile I can work without
collapsing.
Next to the workshop was an antique dealer with rows of boxes marked “ 10 kr for everything!”, filled with objects. Starting from these pieces, those which the antique dealer had labeled as trinkets and wortless, large organic porcelain flowers emerged; decorations from cups and plates which have been allowed ro swell in the room into bodily forms, inspired by Georgie O’Keeffe. Flirting, chained Wally dogs and dead porcelain swans in dialouge with the men’s great Renaissance paintings.
The meeting between textile and ceramics is irrational and full of resistance. I embroider on porcelain with cotton thread in an attempt to recontextualize the crafts. During my time in Porsgrunn, I started waving with porcelain based in abstracted crochet patterns, the image frame becomes a freedom within a tight framework. By combining textile traditions with decorative porcelain with my contemporary ceramics, I want to make an attempt to highlight all the precious and impressive craft objects that are often left behind within the walls of the domestic space, continuing to challenge the hierarchies in the field and make traditional female craft visable.

	
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Image by Kaolin / Maria Wermelin

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		<title>WILDFLOWERS</title>
				
		<link>https://carolineharrius.com/WILDFLOWERS</link>

		<pubDate>Fri, 08 Nov 2024 14:56:44 +0000</pubDate>

		<dc:creator>Caroline Harrius</dc:creator>

		<guid isPermaLink="true">https://carolineharrius.com/WILDFLOWERS</guid>

		<description>
	
	
WILDFLOWERS
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		<title>STRANGE STRINGS</title>
				
		<link>https://carolineharrius.com/STRANGE-STRINGS</link>

		<pubDate>Fri, 05 Jul 2024 08:38:17 +0000</pubDate>

		<dc:creator>Caroline Harrius</dc:creator>

		<guid isPermaLink="true">https://carolineharrius.com/STRANGE-STRINGS</guid>

		<description>
STRANGE STRINGS
2024


Strange Strings is the name of the art exhibition, in which Swedish and Berlin creativity meet once again - as already manifested in the interior concept of our showroom . At first glance, Caroline Harrius and Olaf Bastigkeit may seem to have little in common: While she focuses exclusively on one material (ceramics) and a few objects (tiles, plates, mirrors and vases, and again vases), he seems at home everywhere. Sculpture and watercolour drawing, video and light installations, sculptures made of paper, metal, wood - it seems as if there are no materials or techniques that would not appeal to Bastigkeit.
It is only at second glance that one realizes what connects the two artists. On the one hand, there is the depiction of nature, especially floral motifs, which is an essential part of both artists' current work. While Harrius crochets floral motifs onto ceramic vases in her series "Embroidered Objects", thus immortalizing the motif of the flower, Bastigkeit captures the growth and decay of various cut flowers in his short film series "Descendingascending" and shows them as part of chaotic systems in several graphic watercolours in the series "Space is the place".
Olaf Bastigkeit's films are cinematic collages combined with sound. They bear names such as Amarylis, Gladiolis or Lilies and show corresponding bouquets, sometimes in long shot, sometimes very close up. Flowers grow and open, are magnificent and strong, wither and fall apart. A

process that we are all familiar with, that we have all observed many times before - and which can nevertheless unfold great power. Olaf Bastigkeit's films show how differently each flower appears in its growth and decay. Depending on their individual characteristics, very different compositions are created that raise questions: What is beauty, what is transience? What is it about this process that touches us, and in which phase of life might we ourselves be? What is waste, what is growth, what is resurrection?
Harrius, who lives in Stockholm, also raises questions with her "Embroidered Objects". Her inconspicuous, traditional household objects such as crocheted curtains, embroidered cushions, floral wallpaper or embroidered vases evoke nostalgia: what do we value today as great art and what do we reject as tasteless frills? To what extent is the history of arts and crafts characterized by gender hierarchies? And how do these possibly continue to affect the arts and crafts of today?
Incidentally, the title "Strange Strings" is another humorous reference to an analogy between the exhibitors - and Bolon. After all, strings are an integral part of Caroline Harrius' work, they run through Olaf Bastigkeit's graphic works, and they form the basis of all Bolon flooring

&#38;nbsp;
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		<title>Current Nostalgia</title>
				
		<link>https://carolineharrius.com/Current-Nostalgia</link>

		<pubDate>Sat, 13 Jan 2024 16:42:28 +0000</pubDate>

		<dc:creator>Caroline Harrius</dc:creator>

		<guid isPermaLink="true">https://carolineharrius.com/Current-Nostalgia</guid>

		<description>

Current Nostalgia (The Red Exhibition)2024


	In the exhibition Current Nostalgia, Caroline has tried to understand how we value different craft traditions depending on which group has historically been associated with it. She examines unassuming objects that have remained within the domestic space, filled with knowledge and nostalgia; crocheted curtains, embroidered pillows, floral wallpaper. 


Crafts
with strong associations to female making, traditions which I have just
dismissed as something that simply belongs in a home, just mere decoration,
objects she never viewed as important pieces of art


.
Based on old, found objects, Caroline develops new methods to recontextualize craft traditions that she feels have historically had a lower status and discuss the gender hierarchies behind this. 


By
combining different crafts with each other, she wants to create a new context,
where precious and impressive craft objects which are often left within the
home can be re-evaluated in a contemporary society.


Current Nostalgia was presented as a solo show at Blås och Knåda in the spring of 2024.


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All images by Alexander Beveridge


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	<item>
		<title>Projects</title>
				
		<link>https://carolineharrius.com/Projects-1</link>

		<pubDate>Wed, 01 Sep 2021 14:15:05 +0000</pubDate>

		<dc:creator>Caroline Harrius</dc:creator>

		<guid isPermaLink="true">https://carolineharrius.com/Projects-1</guid>

		<description>
	
	
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LILLA GLYPTOTEKET
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SKULPTURAL TEXTIL


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CURRENT NOSTALGIA (THE RED EXHIBTION)
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THE REPULSIVE FLOWER
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COLLABORATIONS


&#60;img width="4978" height="4978" width_o="4978" height_o="4978" data-src="https://freight.cargo.site/t/original/i/d56490a824d2d3dd665bc1be439eaae7d43c56ecfba745a0505a37215bb11976/_U4A3485.jpg" data-mid="246966586" border="0"  src="https://freight.cargo.site/w/1000/i/d56490a824d2d3dd665bc1be439eaae7d43c56ecfba745a0505a37215bb11976/_U4A3485.jpg" /&#62;JUNTAN&#60;img width="2958" height="2958" width_o="2958" height_o="2958" data-src="https://freight.cargo.site/t/original/i/1f23cf2f4e916d1620ef688235ccf0318d5412ebf6f98ed4adb382baebbf8d30/Caroline-Harrius-KN5liten.jpg" data-mid="246966591" border="0"  src="https://freight.cargo.site/w/1000/i/1f23cf2f4e916d1620ef688235ccf0318d5412ebf6f98ed4adb382baebbf8d30/Caroline-Harrius-KN5liten.jpg" /&#62;JANUARIBLOMSTER / HVA IKKE VI SER HVIS VI IKKE SER
&#60;img width="1330" height="1330" width_o="1330" height_o="1330" data-src="https://freight.cargo.site/t/original/i/1ea1cce64fa52434dff3591ecd685490db56388c0889dbbc3bb0cea5c3f12cc1/Caroline-Harrius_utstallning-Kaolin_jan-2025_fotograf-louise-bahrton_11.jpg" data-mid="246967501" border="0"  src="https://freight.cargo.site/w/1000/i/1ea1cce64fa52434dff3591ecd685490db56388c0889dbbc3bb0cea5c3f12cc1/Caroline-Harrius_utstallning-Kaolin_jan-2025_fotograf-louise-bahrton_11.jpg" /&#62;

BLUE MEMORIES


&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/35f7a3b866aa59ae54c2292c14d48abb65e039e7be234c8a0a1afe8fcc57b0a5/kvadrat.jpg" data-mid="246967157" border="0"  src="https://freight.cargo.site/w/1000/i/35f7a3b866aa59ae54c2292c14d48abb65e039e7be234c8a0a1afe8fcc57b0a5/kvadrat.jpg" /&#62;
STRANGE STRINGS

&#60;img width="2114" height="2114" width_o="2114" height_o="2114" data-src="https://freight.cargo.site/t/original/i/96c9574fa046f90c03e519a145f9fd6ef6becbdd106fd79d2fce40c6fc1c701a/ruta-silent-nooks.jpg" data-mid="158479876" border="0"  src="https://freight.cargo.site/w/1000/i/96c9574fa046f90c03e519a145f9fd6ef6becbdd106fd79d2fce40c6fc1c701a/ruta-silent-nooks.jpg" /&#62;


SILENT NOOKS


&#60;img width="1000" height="1000" width_o="1000" height_o="1000" data-src="https://freight.cargo.site/t/original/i/53d2332a646f42b7c0e79a206484b4d10962edaad611e6e4ef198544fe89fa73/hemma.jpg" data-mid="117851456" border="0"  src="https://freight.cargo.site/w/1000/i/53d2332a646f42b7c0e79a206484b4d10962edaad611e6e4ef198544fe89fa73/hemma.jpg" /&#62;

VARDAGSPORSLIN


</description>
		
	</item>
		
		
	<item>
		<title>About</title>
				
		<link>https://carolineharrius.com/About</link>

		<pubDate>Thu, 06 Aug 2020 18:41:56 +0000</pubDate>

		<dc:creator>Caroline Harrius</dc:creator>

		<guid isPermaLink="true">https://carolineharrius.com/About</guid>

		<description>


&#38;nbsp;About
	&#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/0b0625449a8be44d49186caace1d895f3e3e169fa9dc6c9ec7b2e8f02bc47bd3/Caroline-Harrius-artistportrait-8636.jpg" data-mid="117311701" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/0b0625449a8be44d49186caace1d895f3e3e169fa9dc6c9ec7b2e8f02bc47bd3/Caroline-Harrius-artistportrait-8636.jpg" /&#62;

Photo by Veronika Tybell
	

Caroline Harrius (b. 1993 Linköping) is a ceramicist based in Stockholm, with a bachelor degree in medium and material based art from Oslo’s National Academy of the Arts, and a master degree in craft from Konstfack. In her artistic practice, Harrius often works with questions regarding gender hierarchies in craft history, and how these structures are affecting her own work in a contemporary society. Her master project “The Repulsive Flower” (2020), is an investigation of gender norms in ceramic history, questioning what traditions we have chosen to live on. What do we value as great art today, and what do we reject as tasteless knick knack? Can we relate this to historical gender roles in craft? Harrius works from her studio in the old porcelain factory in Gustavsberg, G-studion.
Click here for complete CV
Caroline Harrius+46768554284carolineharrius@hotmail.com
Visiting AdressG-studion, Chamottehuset floor 2Chamottevägen 6134 40 Gustavsberg


</description>
		
	</item>
		
		
	<item>
		<title>CV</title>
				
		<link>https://carolineharrius.com/CV</link>

		<pubDate>Thu, 06 Aug 2020 17:42:28 +0000</pubDate>

		<dc:creator>Caroline Harrius</dc:creator>

		<guid isPermaLink="true">https://carolineharrius.com/CV</guid>

		<description>
	
	
CURRENT
20.9.26-4.27 Group show, 

Cooperativa Ceramica d’Imola Museum,

Bolonga, IT
2.10.26-7.11.26 Group show


Transformation and Variation,&#38;nbsp;Galerie Handwerk, Munich, DE


8.10.26-11.4.27 Group show, Inner Child, Artipelag,

Stockholm, SE

EDUCATION
	

2018-2020

Konstfack University of Arts, Crafts and Design - Master’s Programme in CRAFT! Ceramics and Glass (MFA) 

2015-2018

Oslos National Academy of the Arts - BFA in Medium- and Material Based Art, Ceramics

2014-2015

Capellagården - Keramik påbyggnadsår

2013-2014

Nyckelviksskolan - Keramisk form

2012-2013

Lunnevads Folkhögskola - Konstlinjen år 1


SOLO SHOWS

	
2026 Duo with Yvonne Swahn, Galleri Anna H, Gothenburg, SE
2025 Lilla Glyptoteket, Härnösand Konsthall, SE
2025 


Blue Memories,&#38;nbsp;Kaolin, Stockholm, SE

2024 Wildflowers, Arvika Konsthantverk, SE
2024 Strange Strings, Duo with Olaf Bastigkeit, Bolon Showroom,

Berlin, DE
2024 Current Nostaglia, Blås &#38;amp; Knåda, Stockholm, SE


2023&#38;nbsp;Porselensstipendiat, Exhibition
Window, Porsgrunn, NO&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;
2022 Silent Nooks, Slöjdgalleriet, Linköping, SE


2021

To Flower, 

Exhibition
Window,

Sintra, Göteborg, SE

2018&#38;nbsp;Vardagsporslin, Porselensmuseet, Telemark Museum, Porsgrunn, NO2015 Miniatyrer, Galleri Telefoni, Vickleby, SE2013 Restaurang Gyllene Liften, Mjölby, SE

 
GROUP SHOWS

2026 (UPCOMMING) The Hauge, NE
2026 Inner Child, Artipelag, Stockholm, SE
2026 


Transformation and Variation

,Galerie Handwerk, Munich, DE
2026 

Cooperativa Ceramica d’Imola Museum

Bolonga, IT
2026 Table Manners, Barbati Gallery, Venice, IT
2025 

HVA VI IKKE SER HVIS VI IKKE SER,

Kunsthall Grenland, Porsgrunn, NO2025 Juntan, Jönköpings Läns Museum, Jönköping, SE
2025 Skulptural Textil, Handarbetets Vänner, Stockholm, SE


2025 Vårsalongen, Liljevalchs Konsthall, Stockholm, SE


2025 


Stitched: Contemporary Embroidery, Bedford Gallery, Walnut Creek, US

2024 Tomorrow is another day, 
Spazio Giallo Interiors, Rome, IT
2024 

Prisad Slöjd, Stockholms Stadsmuseum, SE

2024 Curated Christmas, WAY Gallery, Stockholm, SE

2024


MAESTRIA -

European Prize for Applied Arts,

Grande Halle des Anciens, Mons, BE
2024 Takeaway, Affordable Art Fair / Galleri Duerr, Nacka Strandmässa, SE
2024&#38;nbsp;The 26th International Biennial of Vallauris / Contemporary Creation and Ceramics, 

Musée Magnelli, Musée de la Céramique,

Vallauris, FR
2024 
Most
valuable CRAFT on Earth, Not Quite, Fengerfors, SE
2023 
Contemporania High Craftsmanship Barcelona, Worlds Craft Council Europe, 

Palau Reial de Pedralbes,


Barcelona, SP
2023 Bred blick på hantverk, Bredablick, Skansen, SE
2023 Midsommarsamlingen, WAY Gallery, Stockholm
, SE


2023&#38;nbsp;Nyutexaminerade,
Tjörnedala konsthall, SE


2022 Årets Förnyare, Svensk Hemslöjd, Stockholm, SE
2022 Antikmässan, WAY Gallery / Stockholmsmässan, Älvsjö, SE
2022 New Contemporary, 

Stockholm Creative Edition
2022&#38;nbsp;Ur hand i mun, Boca Pizza / Verkstad Konsthall,&#38;nbsp;Norrköping
2022 HEM, Malmö Konstmuseum, Malmö
2021 Nordisk Salong, Dunkers Kulturhus, Helsingborg


2021 Recent Graduates, Affordable Art Fair, Nacka
2021&#38;nbsp;Making Something From Nothing / Houseproud, Stockholm Craft Week, WAY Gallery
2021 Seart 2021, No Picnic, Stockholm
2021 IIII, Something Something, Stockholm
2021 Hang in There, Handarbetets Vänner, Stockholm
2020 WAY of Craft, WAY Gallery, Stockholm
2020 Takeaway, Galleri Duerr, Stockholm 
2020 Aftermath, Stockholm Craft Week, ETC Studio
2020 Konsthantverk - Här &#38;amp; Nu, Norrköping 
2020 Out of Order, Söderhallarna, Stockholm 
2020 Samtida Design och Konsthantverk, Stockholms Auktionsverk 
2020 Masters of Craft, Gustavsbergs Konsthall, Värmdö 
2020 Work in Progress, Konstfack  
2019 Sydosten 2019, Kalmar Konstmuseum
2019 Konstfack co/ Uglycute, Sthlm Craft Week, Stockholm
2019 Alma Summer Exhibiton 2019, Stockholm
2018 Yellow is the Coulor of Life That is Why it Hurts the Eyes so Much, Konstfack, Stockholm
2018 SOON TO BE, Konstfack, Stockholm
2018 Avgang 2018, Kunsthøgskolen i Oslo, Oslo - degree show
2018 I Never Saw a Crack I Didn't Like, Galleri Seilduken, Oslo 
2017 Open Call vol. 3, Galleri Seilduken, Oslo 
2015 125 Kvadrat, Stockholm 
2015 Capellagårdens sommarutställning, Vickleby - degree show
2015 Stockholm Furniture Fair, Älvsjö
2015 Malmstensbutiken, Stockholm
2014 Gamla Slussen, Stockholms stadsmuseeum, Stockholm 
2014 Nyckleviksskolans vårutställning, Stockholm - degree show

2013 Lunnevads konstlinjen slututställning, Galleri Vända Sida, Linköping - degree show
2013 We, Främre Ljusgången, Linköpings stadsbibliotek, Linköping


EMPLOYMENTS / ASSIGNMENTS / OTHER
2025 Curator for the exhibition Skulptural Textil, showed at Handarbetets Vänner. Guest lecture in connection to the exhibition


2024

Speaker at the seminar Høy på strå, Kunsthall Grenland


2024 

Artist in residence

 at 
1400 grader / Kunsthall Grenland, Porsgrunn

2024 Participant of Artist Roundtable vol IV with 
Pia Sophie&#38;nbsp;Biasi


2023 Artist in residence at Zentrum für Keramik, Berlin

2023 Comission work for &#38;amp; Other Stories
2023-2025 Board member of 

Ateljéföreningen G-Studion


2023- Facilitator for ceramics circles at Studieförbundet Vuxenskolan

2023-2024 Facilitator for ceramics circles at ABF

2022 Participated in the masterclass&#38;nbsp;Illustration on Clay with Wendy Kershaw at&#38;nbsp;International Ceramics Studio in Kecskemét, Hungary

2022 

Curator for the exhibition 

Lustgården, showed at Konsthantverkscentrum, Stockholm and

Sothern Sweden Design Days, Konstfrämjandet, Malmö. Artist talk in connection with the exhibition
2022 

Comission work for Nyponpriset, Lars Winnerbäck’s Stiftelse


2021 Curator for the exhibition&#38;nbsp;Making Something From Nothing / Houseproud, Stockholm Craft Week, WAY Gallery.

Artist talk in connection with the exhibition2021- Educator at Nationalmuseum and the Porcelain Museum in Gustavsberg


2020-2023 Ceramics teacher for children and youths, Kulturskolan i Värmdö2019-2021 Gallery host / exhibition technichan at Gustavsbergs Konsthall

2017 

Participated in the course&#38;nbsp;Traditionella Mosaiktekniker av Astrid Nondal at

Muralverkstedet på Lilleborg, Oslo, Norway

Member of KRO, Konsthantverkscentrum and Ateljéföreningen G-Studion


REPRESENTED AT

Cooperativa Ceramica d’Imola Museum


Jönköpings Läns MuseumMalmö Konstmuseum

Statens Konstråd


Härnösand Kommun

Kronoberg Kommun


Region VästernorrlandVästra Götalandsregionen

SCHOLARSHIPS AND AWARDS


2025,

2026 Ettårigt Arbetsstipedium, Konstnärsnämnden


2025 Konsthantverkets Vänner


2021, 2024 Stockholm Stads Ateljéstöd


2024 Föreningen Östergötlands Barn
2023 Region Östergötlands Kulturstipendium2020, 2023 Helge Ax:son Johnsons Stiftelse


2023 Porsgrunns Porselensstipend
2022 Årets Förnyare, Föreningen för Svensk Hemslöjd
2021 Stiftelsen Hertha Bengtssons Stipendiefond

2020 Sällskapet Arbetsflitens Befrämjande

2020 Blås och Knådas Stipendiat
2020 Estrid Ericsons Stiftelse
2020 Stiftelsen Jenny Åkerström-Söderströms Fond2013, 2019 Liljesonska Stiftelsen
2017, 2018, 2019 Fabrikör J. L. Eklunds Hantverksstiftelse 
2017 Axel N Anderssons Testamentstiftelse
2017 Malmö Industriförening
2017 Anna Whitlocks Minnesfond


</description>
		
	</item>
		
		
	<item>
		<title>Contact</title>
				
		<link>https://carolineharrius.com/Contact</link>

		<pubDate>Wed, 25 Aug 2021 15:52:01 +0000</pubDate>

		<dc:creator>Caroline Harrius</dc:creator>

		<guid isPermaLink="true">https://carolineharrius.com/Contact</guid>

		<description>Caroline Harriusb. 1993, Linköping+46768554284carolineharrius@hotmail.com
Visiting Adress


G-studion, Chamottehuset floor 3
Chamottevägen 6
134 40 Gustavsberg
</description>
		
	</item>
		
		
	<item>
		<title>Shop</title>
				
		<link>https://carolineharrius.com/Shop</link>

		<pubDate>Thu, 06 Aug 2020 17:42:31 +0000</pubDate>

		<dc:creator>Caroline Harrius</dc:creator>

		<guid isPermaLink="true">https://carolineharrius.com/Shop</guid>

		<description>

Please contact me for purchasing, special comissions or studio visits.
carolineharrius@hotmail.com

It is possible to purchase my ceramics in the following places:
- And Objects, London
- Francobaranco, Stockholm
- Galleri Duerr, Stockholm

- The Ode To, Stockholm
- WAY Gallery, Stockholm
- Hemslöjden i Östergötlands, Linköping &#38;nbsp;
- YONOBI Studio, Copenhagen
- Annekset Keramikk at Stavern Torg, Norway.
&#38;nbsp;


</description>
		
	</item>
		
		
	<item>
		<title>Making Something From Nothing / Houseproud</title>
				
		<link>https://carolineharrius.com/Making-Something-From-Nothing-Houseproud</link>

		<pubDate>Wed, 25 Aug 2021 16:50:29 +0000</pubDate>

		<dc:creator>Caroline Harrius</dc:creator>

		<guid isPermaLink="true">https://carolineharrius.com/Making-Something-From-Nothing-Houseproud</guid>

		<description>


Making Something From Nothing / Houseproud
2021


Making Something From Nothing /
Houseproud is a curatorial project by the ceramicists Joanna Günther
and Caroline Harrius. The project is based on a text from 1978 by Lucy Lippard; Making Something From Nothing.They share a common interest in the text, which despite its age
is still comparable with today's society and status symbols in the home. Eleven artisans with an artistic practice relevent to the chosen essay, allfrom different fields with widely differing skills, were invited to
take part of the text and produce a work. The result is an exhibition where a group is presenting their own examiniation of the same issues, and narratives born from the same text. 
The show took place during Sthlm Craft Week at the
	
	
 intimate 
WAY Gallery 30/9 - 3/10 2021
Artist talk in swedish can be viewed at WAY Gallery’s offical instagram page. Link

Participating Artists : Anja Fredell, Caroline Harrius, Clara Dackenberg, Emelie Liljebäck, Erika Emerén, Evelina Dovsten, Joanna Günther Kristina Skantze, Mia Larsson, Tillie Burden, Zandra Ahl


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Works by Anja Fredell “Gravity and Grace” and Joanna Günther “Livets små Glädjeämnen.” 
Below, Clara Dackenberg “En Skapelse”


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The home makers sense of care and touch focuses on 
sewing, cooking, interior decoration as often through 
conditioning as through necessity, providing a certain 
bond between middle-class and working-class housewives 
and career women. (I am talking about the making of the 
home, not just the keeping of it; “good housekeeping” is not 
a prerogative for the creativity in the home. It might even be 
the opposite, since the “houseproud” woman is often prouder 
of her house, her container, than she is of herself.)
 

Even these days women still tend to be brought up with an 
exaggerated sense of detail and a need to be “busy”, often 
engendered by isolation within a particular space, and by the 
emphasis on cleaning and service. A visually sensitive woman 
who spends day after day in the same rooms develops a 
compulsion to change, adorn, expand them, an impetus 
encourageby the ”hobby” books. 

The ”overdecoration” of the home and fondness for bric-a-brac 
often attributed to female fussiness or plain Bad Taste can just
can just as well be attributed to creative restlessness. Since 
most homemade hobby objects are geared toward home 
improvement, they inspire less fear in their makers of being 
“selfish” or “self-indulgent,” there is no confusion about 
pretentions to Art, and the woman is freed to make anything 
she can imagine. (At the same time it is true that the imagination is often 
stimulated by exposure to other such work, just as ”real” 
artists are similarly dependent on the art world and the works 
of their colleagues.) 
Making “conversation pieces” like deer 
antler salad tongs or a Madonna in an abalone shell grotto, 
or a mailbox from an old breadbox, or vice versa, can be 
prelude to breaking with the “functional” excuse and the 
making of wholly “useless” objects.
-Lucy Lippard, 1978

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Mia Larsson, “Venus” and “Ying &#38;amp; Yang”, Erika Emerén “Kom”, Tillie Burden “Melted”, Caroline Harrius “Unfunctional Everyday”

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Zandra Ahl “Visdom Transfer”, Kristina Skantze “Stunden” and Evelina Dovsten “Minneshärd”

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Emelie Liljebäck “Minne från ett kök”</description>
		
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